urbansketchers

The grey has arrived

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While the NYCUSK went to Greenwich Ct, @JoanTav1 and I went to Port Jefferson to draw. The sky and the water were grey. Not a friendly lets paint your living room and chic grey, but the kind of grey sky whose calling card says, “don’t try and hide, wintier is on it’s way. ” It was raw and windy and miserable. Joan and I could barely muster the energy or enthusiasm for a subject. Nothing was calling to us. But 90% of making great art is about just showing up to the page and doing it. And no whining about boring subjects. I have seen a beautiful watercolor of an old rusty chain. It’s more about setting intentions and keeping an open mind and heart to letting something happen. Will it always be great , when you are uninspired or weather challenged, or just plain no in the mood. No., of course not, but I can guarantee you will get better regardless.

One of the things I kept reminding myself was, “don’t forget, the water reflects the sky”. Somehow the water looked darker but I restrained myself and kept it that winter grey. You know what? It worked! It’s a little darker then I intended but in the grand scheme of things, I am very pleased and proud of myself for following though and learning the lesson..

I am hoping for a surprise Indian Summer to extend my outdoor drawing practice for a bit longer, but while it’s the middle of October we still haven’t had a frost toast. I would love to see Northeast communities bathed in sunlight and not the sad and icy grey that moves in until May 31st .

Above find the still waters of Port Jefferson Harbor. It’s a busy place even on a day like today with a slew of boats moored and Ferries to Bridgeport, Ct. The scene was interesting, but ya just can’t replace a sunny day.

Yeah I know you hate to do Notans, but they work!

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This past weekend I taught a class to the Baltimore Urban Sketchers on Composition in Harve De Grace, MD. One topic we covered was values and how they help you to paint the story that you see. Making a small thumbnail or sketch in black and a mid tone grey on white paper  (three values), or even just using black and the white of the paper, (two), will make painting 95% easier. These sketches are called “Notans”. Notan is a Japanese term which literally means “light dark harmony”. It’s basically a small ( 3×4 pr smaller) where you draw with only a black marker and a 50% marker; I find the brush style the best.  It can be done in pencil but it takes longer. Create your Notan shapes using the side of the brush. Just block in the shapes.  By establishing where your darks and lights will be before you paint, you set up a road map to follow. You can then spend your time thinking more about the colors that match your grey values when you are painting, and less about the composition ( cause you have just set that up!).

Notans can be as complicated or difficult as you want to make them. Below are two examples

Forest HIlls Inn, Forest Hills, NY

If you squint at the Value sketch, and look back at the color sketch, it will become clear to you how I used those values to create the spine of my painting, making sure the darks got dark and the lights remained the white of the paper.

Below, the Guggenheim Museum which I attempted in just black on white. It took a great deal of concentration to decide where to put the blacks, but I think it worked out well.

After the class @toddpop1 and @sunamisue and I painted on the dock opposing the Concord Point Lighthouse. You can see that I followed my notan fairly accurately, although I did lighten the water significantly, and It made for a much easier paint. perhaps we painted for an hour and a half.

Concord Point Lighthouse, Harve de Grace, MD

Sadly I lost my Craig Young palette paint. It lays somewhere in the brackish water at the bottom of the Susquehanna River. Special thanks to Craig Young as he had an extra one on hand. ( should be here in two weeks. sigh) So you see as much as none of us want to do it. Those pre paint value sketches or Notans are truly a wonderful assist in getting both your colors, and your composition on the right track. Give it a try, after you do one I am betting you will start to do them all the time- and let me know!

The Rooster’s Home

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Back at the Milleridge Inn Restaurant on Long Island I am hanging out with the roosters again. Its a quick ride from my house so as long as it’s warm enough to stay in the mobile studio without running the engine to keep it warm, I pop over in between the stuff I am supposed to be doing during the day.

The Barn

I have been experimenting with composition. I worked for a pretty famous comic book artist many years ago and It got me to thinking about comic book page layouts. I want to bend the rules a bit and journal in a visual manner. Tell the story of what I see without using words. There is always the big image/emotion of what drew you in; the visual that caught your eye and said, “paint me”. But, then as you are painting, you start to notice all these other things that are really cool and you want to include them too. So I have begun to play with framing; using frames to highlight, or call out other interesting things or close up details from the main picture.

The iconoclast drive thru

Here is another experimentation with framing. I feel like I am on to something, but it still needs some refining. Well, I guess, the next entry will tell. Have you thought about mixing things up a little? I am wondering what you did, and how it worked. Please comment below.